![]() ![]() You should also remember, when it comes to many hue’s there is more than one way to achieve the same mixed colors. For example, If you want to mix green you would start with a yellow and a blue color. The more you add of the darker color the more the lighter color will change.Ĭhanging the colors you mix will create all the different colors you need. Gradually mix small amounts of the darker of the two colors into the edges of the lighter color.Īs you mix the two colors together you will see that the tone of the color starts to change. Clean the brush thoroughly and do the same with your other color. Take a clean brush and dip it into one of the paints and move some of the paint to the centre of your palette. It is also good to have a little white in case you need to lighten up the color. In the video, I am going to share with you these principles in action.To begin, put a blob of any two colors on the edges of your palette. But since they are from the same base color, the overall color of your portrait will look more harmonious rather than spotty. From there, you can go lighter, darker, warmer, and cooler. So once you figure out the local color of the skin tone, you should use that as a base. Any value and color changes are most likely due to lighting. There might be some area that’s a bit redder, lighter, or darker. The color of your skin is pretty consistent throughout. Keep your colors relative - If you think about it. I talked about wet on wet and making clean washes before if you haven’t watched those videos, I encourage you to watch those, I’ll put the link down below and at the end. If your wash is dirty with bad edges and too many layers, the skin tone won’t look good no matter what color do you use. Sometimes the issue is not about the colors you use, but the wash you paint. Keep your wash clean - The cleanness I’m talking about here is not the color, but the consistency of your wash. ![]() And that ends up making the skin look dirty. One of the mistakes I often see students make is they starting to add too much dark color like Burnt Umber or Cobalt Blue. And when it comes to the shadow, think of it as “lack of light” rather than “add more darkness.” So that means you make your mixture more opaque. So when you are trying to mix the color of skin that’s under bright light, you make it more transparent for the light to lit through. When it comes to the value on the skin tone, think “transparency” rather than “thickness” of your mixture. So if your mixture is too opaque, it loses the light. Keep your mixture transparent - Skin is translucent. Even if you are mixing the shadow on the skin, it should still be clean. That means you should only use 2 to 3 colors for your skin tone. It doesn’t matter the skin color of the person the mixture should always be as clean as possible. Because I usually prefer a more neutral and muted color. Now, for me, that’s typically not an issue when I am painting a scenery painting. Keep your mixture simple - The more colors you use in your mixture, the muddier the color will be. That being said, there are a few things I want to share with you: So right off the bat, you have one less paint to worry about in your mixture. Unlike oil, acrylic, or even gouache, lighter values in watercolor is dictated by its transparency. And here is why: Watercolor doesn’t use white. Painting a nice, clean skin tone in watercolor is quite easy. ![]() ![]() Today, I’m going to share with you the way I mix the skin tone, and you might be surprised how simple it is. However, mixing the right skin tone is not. Figure and portrait can be a pretty tricky subject to paint. ![]()
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